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Isaac is an award-winning Music Supervisor specialising in trailers for film and TV.

His work spans major titles for Netflix, Disney+, Universal Pictures, Sky Cinema and more, with standout campaigns including the MJ ‘MICHAEL’ biopic, four seasons of ‘The Crown’, three seasons of ‘The Witcher’, and teaser trailer work for Guy Ritchie’s ‘The Gentlemen’.

With more than 18 years of experience in the music industry, Catalina is currently Senior Promoter/Booker and Director of Isla Presenta at Páramo Presenta, where she oversees artist bookings for Festival Cordillera and leads concerts and tours for artists such as Carlos Vives, Juanes, Natalia Lafourcade and Joaquín Sabina.

Throughout her career, she has also worked with EMI Music, RLM Colombia, Tyrona Eventos and Grupo Tu Boleta.

Ed Bailie is an Independent music supervisor with 15 years of award-winning work.

Covering the full spectrum of music supervision, Ed’s roles span creative music searches, composer sourcing & original score supervision, music budget management & rights clearances, musician casting & on-set coordination, and soundtrack album deal procurement.

Ed is a BAFTA member and currently sits on the senior board of the UK & European Guild of Music Supervisors.

Harnessing a deep passion for music with years of industry expertise, Ed curates, creates, and clears compelling and enduring soundtracks.

Elena Beltrami is the Director of La Linea – The London Latin Music Festival and Como No Promotions, the UK’s leading promoter of music from Latin America, Spain and Portugal.

For more than 30 years, Como No has built cultural bridges between Latin America and the UK, representing artists such as Gilberto Gil, Rubén Blades, Juanes, Natalia Lafourcade, Mon Laferte and Jorge Drexler.

Through her curatorial vision and leadership, Elena has played a key role in strengthening the Latin music scene in the UK.

Raquel Bettencourt is VP of Global Music Supervision and Communications at Wracket Music Supervision Inc., leading marketing, business development and client relations.

She also oversees communications and strategic partnerships for Syncstate, a new international sync licensing conference and marketplace.

Peter’s career in music started as a songwriter and performer. He has worked in the UK television production and broadcasting industry for 25 years specialising in music rights.

His career has included ITV television, and 16 years at the BBC in music copyright and music licensing, as well as being Head of Rights for the BBC World News.

Peter joined Sky in 2013 and became Director of Music in 2018 where he leads Sky’s music teams covering Licensing, Music Supervision and Reporting as well as running Sky’s Music Publishing and Production Library businesses.

Mirko Burazer is International Project Manager at the Croatian Music Export Office – We Move Music Croatia and COO of SHIP Showcase Festival & Music Conference.

He plays a key role in promoting Croatian artists internationally and connecting them with new opportunities across global markets.

Márk Bóna (“marka”) is a Budapest-based event manager and booker who has been part of the Sziget Festival team since 2004.

Alongside his work in festival production and artist booking, he is co-owner of Berg Talent Management and actively trains the next generation of music managers and festival professionals.

Paty Carrera specialises in music supervision, music licensing and consultancy .

Her works released on platforms including Netflix, Disney+, HBO and Amazon.

She is President of the Spanish-Speaking Music Supervision Association (ASM) and advises artists and producers on music rights.

Executive Artistic Director of SummerStage and one of the leading voices in New York’s music and cultural programming landscape.

Laura “Lau” Frías is an A&R Director at Secretly Group (Dead Oceans, Jagjaguwar and Secretly Canadian), bringing her experience championing artists and paving new paths for underrepresented sounds, spaces and music scenes.

Having moved from Lima, Perú to Los Angeles in 2012, she’s been a fundamental voice for the Latinx music community (Omar Apollo, Cuco and more).

Frías worked at Kobalt Music Group for six years, where she worked on global initiatives across Synch Licensing, Publishing A&R, and Records A&R at then-sister company AWAL.

Lau has a natural gift for world building and creative direction, which landed her a job at Secretly Group. Now in New York and at Secretly, she’s amplifying some of the most exciting new voices in the indie space, including Chanel Beads, Wednesday, Cassandra Jenkins, Jordan Patterson and more.

Heather Gardner is an award-winning music supervisor, founder of Peachy Keen Music Supervision, and President of the Guild of Music Supervisors, Canada.

After over 17 years in music supervision, her credits span worldwide television series (Bet for Netflix, Mistletoe Murders for Hallmark), feature films, TV movies, advertising campaigns, and video games. In 2025, Heather was named to Billboard Canada’s inaugural 40 Under 40 list, honouring the next generation of innovators shaping the future of music in Canada.

Mark Garfield is Founder and Co-Director of Pop-Up Music, an independent music publisher and one-stop sync agency, representing a diverse catalogue of artists and recordings that have featured in productions including Once Upon a Time in Hollywood, Stranger Things, Fallout.

He is on a mission to turn great music into iconic screen moments.

Thomas Golubić is a four-time Emmy nominated music supervisor, twice Grammy nominated record producer, podcast host and DJ based in Los Angeles. His music supervision credits include Pluribus, Breaking Bad, Better Call Saul, Poker Face, Silo, The Walking Dead, Halt and Catch Fire, and Six Feet Under, among many other film & television projects.

In 2017, Thomas became the president of the Guild of Music Supervisors, the same year he was nominated for the first Outstanding Music Supervisor Emmy Award for his work on Better Call Saul. The Guild twice awarded Thomas with Best Music Supervision in a Television Drama for his work on Breaking Bad.

In 2014, Thomas programmed and launched the Guild of Music Supervisors ‘State of Music in Media’ conference, currently running over a decade. He has also served as producer and director of the Guild of Music Supervisor Awards.

Rupert is COO of Atlantic Screen Group and co-founder of Redfive.

He has supervised music for Oscar-, BAFTA- and Golden Globe-nominated productions and has worked with artists including Daft Punk, Pink Floyd and Mark Ronson.

He also serves as Vice President of the UK & European Guild of Music Supervisors.

Everton Lewis Jr. is an award-winning Music Supervisor and board member of the Guild of Music Supervisors Canada.

Formerly Head Music Supervisor at VICE Canada, he now leads his own companies while working with Apple on music supervision for its flagship product launches.

Filip Košťálek is Artistic Director of Colours of Ostrava and a programmer and cultural producer with more than a decade of experience in the international festival scene.

Recognised by the European Festival Awards, IQ Magazine and Forbes 30 Under 30, he has played a key role in shaping innovative music programming and bringing global talent to audiences across Central Europe.

Member of the Programming Team at the Los Angeles Philharmonic, leading projects at venues including the Hollywood Bowl and Ford Theatre.

With over a decade of experience in production, programming and artistic management, he specialises in Latin music and has worked with artists including La Santa Cecilia and Diamante Eléctrico.

Enzo Massardo is a Music Supervisor and Music Producer with more than 20 years of experience in the industry, having built a distinguished career across film, television series, TV productions and advertising.

As a board member of the Asociación de Supervisión Musical de Habla Hispana (ASM), he leads the Education Committee, driving professional development and promoting technical standards for the music supervision sector at an international level.

Carmen has specialized in Music Supervision for Film & Television since 2014 and has enjoyed 20 years of success placing music to picture and picture to music across Film, TV, Advertising and Music Video.

Her Music Supervisor credits include BAFTA winning ‘Supacell’ (Netflix), RTS winning ‘Boarders’ (BBC), multi-award-winning ‘Dragonfly’ (feature film) and Emmy winning ‘Freddie Mercury: The Final Act’ (feature documentary).

Forthcoming Music Supervisor credits include ‘Faith’, a feature film by Paul Andrew Williams and ‘The Arrival’ a feature film by Bijan Sheibani, music supervised with Sarah Giles.

Music Supervisor with more than 20 years of experience across film and television.

She has worked on productions for Netflix, Amazon, BBC and Apple, including The Night Manager S2, Elite and Burning Body.

A member of the UK & European Guild of Music Supervisors and Advisor to the Spanish-Speaking Music Supervision Association (ASM), she is also actively involved in education, speaking at international industry events and guest lecturing at Berklee College of Music.

Lisa Branigan (Nasta) is an event manager, music educator and luthier working at the intersection of music, sustainability and social impact.

She is the founding director of Re-Play Music C.I.C. and currently serves as Area Coordinator and Head of Production for Green Futures Field at Glastonbury.

Jenn Noya is a Music Supervisor and Music Rights Consultant with over 20 years of experience across television, film, and digital platforms.

She has worked on productions for Apple TV+, Prime Video, BBC One, and Sky Atlantic.

Jenn currently serves on the board of the Asociación de Supervisión Musical de Habla Hispana (ASM), helping drive professional development and collaboration among Spanish-speaking music supervisors worldwide.

Kyla is Director, Head of Sync and in-house Music Supervisor at Emmy Award-winning JTN Music, where she leads the company’s sync department and Canadian expansion.

Founder of her own music supervision company, she has worked on projects including Firefly Lane (Netflix) and a range of independent films.

Her work has earned two Canadian Sync Award nominations, and she is a member of the Guild of Music Supervisors in both the U.S. and Canada.

Lena Obara is a Music Supervisor, Musicologist and Music Publisher with over 20 years of international experience across film, television, advertising and radio.

She bridges the gap between the creative and commercial sides of music, helping artists and rights holders maximise opportunities and revenue.

She is particularly known for recovering missing royalties in the audiovisual sector and ensuring music not only gets heard, but gets paid.

Ipek is an industry mentor, royalties, sync and licensing specialist from Istanbul with a foundation in music management and live events.

As part of the the UK & European Guild of Music Supervisors (GMS) team, she leads partnerships and projects, supports the supervision community and contributes to the Diversity & Inclusion Committee.

She founded her consultancy Meta Artist Management in 2018, empowering artists to build sustainable careers through education on copyright and talent development. Ipek also looks after performer accounts at PPL, as a genre specialist for classical and film music.

Laura Quinlan is Program Director for Rhythm Foundation, the organisation behind the Miami Beach Bandshell, where she curates a programme of international touring artists, festivals and community-focused cultural events.

Josh Rabinowitz is a leading figure in music, branding and sync, with more than 10,000 music placements across brands, film, television and major labels.

He was the first-ever Music Jury President at Cannes Lions and currently combines consultancy with teaching at Berklee College of Music.

Andy Robinson is the Founder and CEO of Interstellar Music Ltd.

With more than 20 years of experience in artist management, music publishing and rights management, he helps artists, songwriters and catalogue owners maximise revenue through the active management of their music rights.

Carlos Seixas has been Artistic and Production Director of FMM Sines – Festival Músicas do Mundo since 1999.

With more than four decades in live music, he is a leading figure in international festival programming and has served as a jury member at events including WOMEX and Babel Music XP.

Founder of Wild Paths Festival and co-founder and now manages and runs the eclectic program of music events at Voodoo Daddy’s.

Recently Ben has joined the programming team at Shambala Festival – a 15,000 capacity camping festival with an eclectic line-up

Alexandra Archetti is CEO and Festival Director of Oslo World, one of Norway’s leading festivals and cultural organisations.

She is a recognised advocate for international cultural exchange, artist mobility and diversity, and has spent more than 25 years supporting underrepresented artists from around the world.

Martin Sutton is a highly regarded sync agent, 25 x Platinum hit songwriter/producer, film composer, music supervisor, global educator, mentor, public speaker and Amazon #1 best-selling author.

His company Very Syncable Music Licensing is a widely trusted boutique one-stop agency representing hundreds of artists worldwide, with placements for Netflix, HBO Max, BBC Films, Black Bear, ITV, Mood Media and many more.

Arthur Vaccari specialises in Artist Booking and Project Management at Hamburg-based live music agency OHA! Music.

He is responsible for scouting, booking and managing a diverse roster of emerging and established artists, while also leading major live projects such as the annual open-air series Draussen im Grünen.

A leading entertainment industry professional in Mexico, recognised for her work in promotion, public relations and marketing at OCESA, one of the leading concert and festival promoters in Latin America.